ISI Journals

This article explores the role of cultural representation and stereotypes in the animated works of Michel Ocelot, a prominent French animator known for his distinctive animation style and exploration of cultural themes. Through a detailed analysis of Ocelot's films, particularly Kirikou and the Sorceress and Azur & Asmar, this paper examines how the filmmaker uses animation as a medium to address issues of cultural diversity, identity, and the portrayal of non-Western cultures. The research discusses how Ocelot challenges or reinforces stereotypes through his aesthetic choices and narrative structures, focusing on his efforts to create nuanced, respectful representations of different cultures. By investigating the intersection of aesthetics and cultural narratives in Ocelot's animation, this study reveals the potential of animation to shape perceptions of culture and identity in a globalized world. This paper examines the role of cultural representation and stereotypes in the French animated films of Michel Ocelot, focusing on his works Kirikou and the Sorceress and Azur & Asmar. Through a qualitative analysis, the study explores how Ocelot challenges conventional stereotypes by presenting nuanced and respectful portrayals of African and Middle Eastern cultures. By analyzing his distinctive aesthetic choices and narrative techniques, the paper highlights Ocelot's use of animation as a tool for promoting cultural diversity, empathy, and cross-cultural understanding. The research emphasizes the potential of animation to offer more complex, positive representations of marginalized cultures, counteracting the historical tendency of Western animation to reinforce simplistic or exoticized depictions.